CONTIGIT IOCULATOREM EX LANGOBARDORUM GENTE AD KAROLUM VENIRE, ET CANTIUNCULAM A SE COMPOSITAM DE EADEM RE ROTANDO IN CONSPECTU SUORUM CANTARE
It happened that a Langobard jongleur came to Charlemagne and sang a little song composed by himself about this matter within view of his own people
Chronicon Novaliciense, book III V.10 – 11th century
What would probably scandalize the jongleurs, if they lived today, would not be seeing their lyrics performed, but witnessing a show without Love.
Inspired by the popular Muse, since 2015 Mirko Virginio Volpe and Silvia Kuro have been investigating jongleurs poetry and music from the 9th to the 13th century, working directly on the original sources, bringing back to life lyrics and melodies of Italy and Europe, reconstructing the secular music of the Middle Ages.
In 2022 the French version of the musical program "Poetesse, Poeti e Giullari d'Italia" was presented at the prestigious “Festes Baroques”festival. In the same year “Dançando La Fressca Rosa”was published: a mini-album resulting from the research of Mirko and Silvia on the Memoriali Bolognesi of the 13th century, carried out with the Alma Mater Studiorum of Bologna, MemoBo project; in 2022 they release the single “Aiuta De’, vera lus et garçat”, a musical reconstruction of a troubadour Alba translated into a Piedmontese vernacular in the 13th century.
In 2023 they released the album “Canzoneta, va!” concerning the connection between Provencal and Italian poetry in the 12th and 13th centuries, in the same year they were contacted by the Italian Cultural Institute of Bratislava for two concerts included in the cultural events of the "Week of the Italian Language in the World", a success also replicated at the IIC in Cologne. Murmur Mori won the 2023 Medieval Italy award, ranking first in the "entertainment" category.
In 2024 after a serie of concerts in Europe, ended in France at Noirlac Abbey, the program "Canzoneta, va!" has been recorded live at Cantar di Pietre Festival by the Radio Télévision Suisse and RSI. In the same year Forum Musicum Festival (Narodowe Forum Muzyki) commissioned Murmur Mori a program focused on the theme of the crusades. After the success of the event held at the Town Hall of Wrocław, the repertoire was recorded for the album "Make love, not crusades".
The musical instruments used are reproductions based on depictions from European medieval sources.
SILVIA KURO
She studies and practices folk singing and Gregorian chant; she is part of the choir of the Schola Gregoriana directed by Giovanni Conti. She is an archivist and the musical paleographer for Murmur Mori. She plays the portative organ and percussions. She sings and composes.
MIRKO VIRGINIO VOLPE
Artistic director of the ensemble. After having lived and studied for six years in Bologna, since 2017 he has completely abandoned any city reality, preferring to lead a life of bohème, and moved to a small village in the Piedmontese Alps where, thanks to contact with wild nature, he can devote himself with greater dedication only to musical practice and historical research for the ensemble.
ALESSANDRA LAZZARINI
Alessandra began her musical studies on the piano and practicing choral singing at the "Santa Cecilia" school in Rovigo. She continues her classical studies, specializing at the Conservatory on the transverse flute and perfectiong her tecnique in chamber music and didactic under the guidance of various masters. She teach flute in secondary schools and she collaborated with Murmur Mori since 2015.
MATTEO BRUSA
Folk music and Lombard traditions researcher, he collaborates with the ensemble from 2019 as musician and technician for the recording process of the music.
NICOLÒ GUGLIUZZA
Le prime esperienze teatrali iniziarono all’età di 16 anni a Bologna. “Tra ciliegi e robot” (Edizioni del Faro 2020) è la sua prima raccolta di poesie, pubblicata da Edizioni del Faro. Attualmente vive a Bruxelles dove è performer e poeta in Italiano, Francese ed Inglese. Collabora con Murmur Mori dal 2022 come voce narrante durante le esibizioni dal vivo dell’ensemble.
